I suspect most photographers could get comfortable with any of them within a few hours of shooting and configuring to their liking. The G15 has the longest telephoto end with a zoom range of 28-140mm and also impressively fast at f1.8 – 2.8.Īll three cameras handle very well, with intelligent and intuitive controls. The XZ2 uses a fairly typical 27-108mm EFL lens, also quite fast at f1.8 – 2.5. The LX7 uses a wide 24-90mm EFL zoom, with a very fast aperture range of f1.4 - 2.3. The lenses are all different too, but all impressively fast by the standards of just a year or two ago. It was one of the few things I really loved about the GH2 – I wish all cameras had this capability! I should note, however, that the LX7 uses a 10 megapixel version of this sensor, while the G15 and XZ2 use 12 mp versions, so even without the multi-aspect approach, the Olympus and Canon have about 20% greater resolution than the Panasonic. This multi-aspect sensor is one of my favorite features of the LX7 – I prefer to shoot in 3:2 for landscapes and scenic shots, 4:3 on the street (where I often will crop down to 1:1 in processing), 4:3 when shooting in portrait mode, and occasionally 16:9 for really wide landscapes. So the LX7 ostensibly sacrifices a small amount of image quality for a great deal more flexibility in shooting formats. While the other two cameras will allow you to shoot in aspect ratios other than their native 4:3, the 3:2 and 16:9 images are merely crops that chop off the top and bottom of the images without adding any actual width to the image. The LX7 takes a different approach to this sensor than the others, using a multi-aspect approach that reduces the number of pixels in any of its native shooting formats (4:3, 3:2, and 16:9), but increasing and decreasing the actual width and height of the image as you move through the aspect ratios. Nonetheless, the smaller sensor has some advantages to go along with its inherent disadvantages as a relatively small sensor. (Since I’ve owned and shot extensively with both of these cameras as well, I’ll make mention of those occasionally as well). This sensor size may be living on borrowed time, given the advances Sony has made with the 1” sensor in the RX100 and Fuji has made with it’s 2/3” sensor in the X10/X20. Since I own the Panasonic LX7, I’ve been compiling some impressions of the three cameras, which are among the best of the remaining 1/1.7” sensor premium compacts. Thanks to Amin and B&H, I was able to spend some time shooting with the Olympus XZ2 and the Canon G15.
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